‘Tis the Season

Holidays in the Log House: Candlelight Tours

Every year, the Stickley family home is adorned for the holidays in period style, c. 1915, with a focus on Gustav Stickley’s own principles. Utilizing holiday greens, pinecones, and the home’s forest palette, the decorations bring nature indoors and spotlight the Arts and Crafts movement’s emphasis on finding beauty in simplicity of style and materials.

By 1915 , the Christmas tree was a standard part of the American Christmas celebration and you could even light it with a string of electric lights.  Illustrator Thomas Nast had introduced the world to the Santa Claus we know and love today,  and on city streets you would surely find the familiar bell-ringing, Santa Claus-clad donation collectors. 

With the holiday fast approaching, volunteer Julie Peterson shares a behind the scenes look at our annual holiday decorating.

December 2009 100 Every year a group of volunteers gather mid-November to decorate the Log House for the holidays. On the appointed day, blue vinyl storage bins are brought down into the Education Room, carried into the Museum, and opened to reveal garlands, candles and other decorations to be placed on window sills and tables.

One of the rewards of this work is being in the museum without other visitors. It is a quiet place and there is time to really study the details and appreciate the unique features of Stickley’s design.

As we hang garlands and wreaths, we are “up close and personal” and can imagine the Stickley family putting candles on their tree and gathering greens from the yard to make wreaths for the doors. The tree is hung with an assortment of ornaments, some old and some new, and a toy train is assembled at the base.  Trains were some of the first electric toys and were available around 1900.

We imagine the Stickley girls in their bedroom chatting about holiday parties, singing carols around the piano, and working on Christmas crafts like stringing cranberries,  making paper chains and cornucopia cones to fill with candy for hanging on the family’s Christmas tree.   We imagine Mrs. Stickley wrapping gifts for her friends and family.

We make the dining room table ready for their holiday visitors with “cookies” made of handmade plaster and salt dough “fruit” (since nothing used in decorating the museum can be organic, a fire hazard or attract bugs) which represent the popular finger foods of the time.

For the outside doors, I made wreaths from natural materials, and I followed Stickley’s  own principles by harvesting them locally. Last year, hurricane Sandy, provided many downed pine boughs and rhododendron branches to use in decorating the Log House for the holidays.

December 2009 099Stickley’s magazine The Craftsman published several articles advocating the use of natural decorations: Greenery, holly, and mistletoe at the windows and doors suggest a “hint of immortality by remaining fresh and green throughout the apparent death of the world during winter.” (The Craftsman, December 1911, “Christmas Decorations from Winter’s Garden.”)

In January, we’ll come back to take it all down and put it back into storage for another year.

-Julie Peterson

Photos by Barbara Weiskittel

The Log House will be decorated through January 5, 2014.  Tours depart hourly from 12:15 – 3:15 p.m. every Thursday – Sunday.  Plan your visit.

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Help Us Meet The Challenge

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Together we can make it happen!

Thanks to your gifts and the gifts of hundreds of generous supporters like you, we are a third of the way to our $7,500 challenge grant! Your annual fund donations support educational programs, building care and maintenance, and the day-to-day operations of the Stickley Museum at Craftsman Farms.

DONATE TODAY!

 Your continued annual support:

  • Helps protect and preserve a National Historic Landmark;
  • Introduces thousands of children to a world of history and culture;
  • Paves the way for visitors with limited mobility;
  • Advances emerging scholars in the Arts & Crafts community;
  • Produces original research and stimulating new exhibits;
  • Welcomes bus tours from senior centers;
  • Cultivates an artist’s residency program;
  • And sustains a high-quality cultural resource.

 But we can’t do it without you! 

Will you help us meet this Challenge with a year-end gift?  Right now, your gift will have a double impact – thanks to this match.

And thanks to generous supporters like you!

DONATE TODAY!

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Behind the Scenes of a Summer Internship

Our summer intern, Allison O’Keeffe, reflects on her experience and getting to work with the museum’s collection.  

First Issue of The Craftsman Oct 1901While meandering through the grounds of Craftsman Farms, past the lily-studded pond, looking up at the former home of the furniture designer and craftsman Gustav Stickley and his family, I marveled at the beauty of the building. From its broad log beams to its towering chimney, it is almost impossible for me to imagine the skill that it must have taken to achieve its beautifully simple design. Gustav’s eminence in the American Arts & Crafts movement, his legacy of craftsmanship lives on through the Stickley Museum at Craftsman Farms.

Similar to the integral joinery in Stickley’s furniture, the museum is built on the hard work of its staff. During my internship at Craftsman Farms I gathered a greater understanding about how museums help to protect historic treasures, provide knowledge, and work outside of the usual visitor perspective. I had little idea just how much happens behind-the-scenes and how important it is to organize and catalog the objects in the museum’s collection. Working with the museum’s registrar I explored the many books, magazines, and catalogs that the museum owns.

While the furniture and home design of Craftsman Farms might be a key attraction, the whole turn-of-the century style would not be complete without period books and Gustav Stickley’s self-published The Craftsman magazine. Perhaps the most enjoyable part of interning at Craftsman Farms was having an opportunity to hold knowledge from the past in my hands. Being able to carefully turn the delicate pages of hundred-year-old Craftsman magazines and imagining the person who may have owned them and cherished their contents enough to keep them safe through the years.

An article from The Craftsman that has wedged itself in my mind hopefully describes the sportsman’s paradise that could be achieved with the wholesale release of exotic Asian pheasants into the woodlands and meadows of the United States. The sole purpose of these birds, of course, was to shoot them. It even describes, not only how to raise them and insure that they populate the wild, but what bird is best to eat, how and served with what. While modern conservationists would most-certainly shudder at the purposeful release of thousands of invasive bird species into the wild, the article makes for a very entertaining read.

As the museum has been the recipient of generous donations of books, magazines, and catalogs over the years, a daunting task awaited me. Each book, magazine, and catalog must be assigned a unique number that is tied to information such as who donated it and in what year. The details are then entered into the museum’s database. Even the height, width, and number of pages must be accounted for. They must then find a home within the Stickley Museum where they can be easily accessed and kept safe. The more robust and alluring books, perhaps with gilt pages or embossed leather covers, might be out on display to catch an inquisitive eye. These gems are only the tip of the greater trove of treasures protected by Craftsman Farms.

I feel very lucky to have had the opportunity to peek under the lid of this treasure chest. Helping to evaluate, catalog, and sometimes peruse the collection has offered me valuable insight into just what happens behind the scenes at Craftsman Farms. This experience has also piqued my interest in the rest of the Arts & Crafts movement and given me insight into what makes The Stickley Museum at Craftsman Farms so endearing.

- Allison O’Keeffe is a senior at Skidmore College studying Fine Arts and Art History. She first became interested in Gustav Stickley and the American and European Arts & Crafts movements when taking a course called “the History of Modern Design” at Skidmore. She also finds inspiration for her own artwork in the designs of the movement.

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An August visit to Craftsman Farms

Log House Exterior Summer 012

“As the automobile turned up the shady road at Craftsman Farms the Traveler was struck again by the charm of the houses – the air of content with which they nestled beneath their own protecting eaves.”  –  The Craftsman, October 1910.

 

Photo: Vonda Givens, August 2013.

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Thoughts on the Craftsman Farms Walking Tour

Craftsman Farms Walking Tour

On Saturday, June 15 we launched our summer walking tour, “In Mr. Stickley’s Steps” with a special preview for Stickley Museum members.  The Craftsman Farms Walking Tour will be offered regularly through the summer beginning this Saturday. Guest blogger and Education Intern, Alexa Logush, offers up some of her thoughts on the inaugural tour in today’s blog.

 
The Stickley Museum’s new walking tour debuted on Saturday, June 15, 2013, offering a new look at the grounds at Craftsman Farms. This marvelous, two-hour tour explores the beauty and history of the museum, allowing its visitors to discover the North Cottage, White Cottage, the old orchards, and dairy barn, which are sights not typically visited on a regular house tour. Visitors also can enter the North Cottage and truly witness what life was like when Gustav Stickley and his family lived at Craftsman Farms. Tours are offered on the second, third, and fourth Saturdays of July and August.

Take a closer look on the Craftsman Farms Walking TourWalking through the grounds of Craftsman Farms provides adventuresome Arts and Crafts lovers with a rich display of the very present past. As a relatively new summer intern here at the Stickley Museum, I began the walking tour with an open mind and my trusty Canon camera dangling from my neck. Feeling the sun on my face and the light breeze at my back, it could not have been a more perfect day to experience this particular tour. Led by our guide, Pete, as a group, we were able to mosey about the grounds, listening intently to the truth behind events that once occurred beneath our very feet.

The walking tour expands the world of the Stickley family so that sights seem to come to life as you walk along, listen, and learn. Beginning at the Stickley house entrance, the tour emphasizes quiet reflection and a true connection with the world around you. It’s easy to become lost among the magnificent greenery, brawny stonework, and jovial foxgloves of Craftsman Farms. Crumbling brick and aged structures, such as the old fire-stricken dairy barn, add a slight hint of mystery to the history of the area. At certain points on the tour, I found myself a part of the past. I could see horses lazily nodding their heads near the dairy barn and the older Stickley girls walking arm in arm across the now hidden paths of the rose garden.

Visit the North Cottage on the Craftsman Farms Walking Tour

Each individual on the tour becomes acquainted with their own experience that is unique to their personal interests and knowledge. Stickley enthusiasts will be thrilled to experience entering the North Cottage, settling into the Arts and Crafts style furniture there, and simply walking alongside the old vineyard, freeing their imaginations.

Personally, I don’t believe I’ve ever experienced something quite like the walking tour. It encouraged me to find my place at Craftsman Farms, allowing me to see what once went on there. The magic of Craftsman Farms tingles through your toes and fingertips, urging you to discover more. I suppose the grounds, bursting with life and beauty, really speak to you, coaxing you to share your own stories as it shares its stories with you.

-  Alexa Logush is a junior at The College of New Jersey, studying History and English. She will be interning at the Stickley Museum throughout the summer to learn more about the Arts and Crafts movement, the Stickley family, and Craftsman Farms. The Stickley Museum first struck her interest when her high school Art History teacher mentioned Arts and Crafts-era furniture and Gustav Stickley during class. She is eager to learn more about the world of the Stickley family.

 

The Craftsman Farms Walking Tour will be offered most Saturdays in July and August.  Visitors are encouraged to wear comfortable walking shoes.  Bathroom breaks are offered throughout the tour and drinking water is provided.  See StickleyMuseum.org for more information and to make reservations.

 

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We are a Blue Star Museum!

Blue Star Museums The Stickley Museum is proud to once again join with other museums across the country in honoring our nation’s service men and women. Along with the other 2,000 Blue Star Museums we are offering free admission to active duty military personnel and their families now through Labor Day.

Executive Director Heather Stivison says, “The Stickley Museum has been a Blue Star Museum since the program’s inception. We are proud to participate with other museums across the nation as a way to express our appreciation for our country’s service men and women and their families who are sacrificing so much for our country.”

We are among 31 participating sites in New Jersey, and over 2,000 museums across the country.  The effort to recruit museums has involved partnerships with the American Alliance of Museums, the Association of Art Museum Directors, the Association of Children’s Museums, the American Association of State and Local History, and the Association of Science-Technology Centers. This year’s Blue Star Museums represent not just fine arts museums, but also science museums, history museums, nature centers, and 75 children’s museums.  Leadership support has been provided by MetLife Foundation through Blue Star Families. The program provides families an opportunity to enjoy the nation’s cultural heritage and learn more about their new communities after completing a military move.

About Blue Star Museums

Blue Star Museums is a collaboration among the National Endowment for the Arts, Blue Star Families, the Department of Defense, and more than 2,000 museums across America. The program runs from Memorial Day, May 27, 2013 through Labor Day, September 2, 2013.  The free admission program is available to any bearer of a Geneva Convention common access card (CAC), a DD Form 1173 ID card, or a DD Form 1173-1 ID card, which includes active duty U.S. military – Army, Navy, Air Force, Marines, Coast Guard, as well as members of the National Guard and Reserve, U.S. Public Health Service Commissioned Corps, NOAA Commissioned Corps – and up to five family members. Please see the chart of the acceptable IDs (PDF).  Some special or limited-time museum exhibits may not be included in this free admission program. For questions on particular exhibits or museums, please contact the museum directly.  To find out which museums are participating, visit www.arts.gov/bluestarmuseums. The site includes a list of participating museums and a map to help with visit planning.

All summer long, Blue Star Museums will share stories through social media. Follow Blue Star Museums on Twitter (#BlueStarMuse), on Facebook, and read the Blue Star Blog for profiles of participating museums, stories about military families, and tips on getting the most out of your visit.

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The Collection: Morris Chair, no. 2341

Morris Chair in place

Gustav Stickley Flat-arm, Sling-seat Morris Chair, no. 2341
Dimensions: H: 37”, W: 29 ½”, D: 33 ½”
Materials: Oak, leather, metal
Date: 1902
Signed with red decal
Gift of James G.R. Hart, Barbara G. R. Hart, and Richard Hart to The Craftsman Farms Foundation
Photo: Ray Stubblebine

Thanks to the generosity of one Colorado family, the Stickley Museum at Craftsman Farms has been entrusted with the care of one of their family’s seats, an early 1902 Gustav Stickley #2341 reclining chair in nearly perfect original condition. 1911 images of the Log House interior at Craftsman Farms show only one reclining chair form in them, and that form is the #2341.

In 1901, a successful and forward-thinking attorney/businessman named John L. J. Jerome decided to build his family a summer home southwest of Denver on Christmas Hill near the town of Buffalo Creek, Colorado. La Hacienda — as the home would be known — was sighted and designed by the noted Colorado architect Frederick Junius Sterner (1862-1931) in a manner that could have come right out of Gustav Stickley’s magazine The Craftsman. During a 1902 trip to Auburn, N. Y., Jerome purchased 35 pieces of early Gustav Stickley furniture for his home from G.W. Richardson & Son, early retailers of Stickley’s furniture. Shipped in crates by train to Colorado, the furniture (along with wall coverings by William Morris) informed La Hacienda’s interior scheme.

Log House living room, c. 1911

Stickley’s Log House living room,  c. 1911.  A Stickley #2341 reclining chair is center right, behind the hexagonal library table. CFF archives.

Over the last century, generations of the Jerome-Hart family have lovingly cared for the home and its furnishings. Through a turn of events, the family became interested in donating their chair to the SMCF. A consortium of friends of the Museum consisting of John Toomey, Robert Kaplan, Beth Cathers, Marilee Boyd Meyer, and David Rudd worked with the Hart family to bring their gift to Craftsman Farms, where it was officially presented to the museum in October 2012 at its annual fundraising gala.

Very few examples of the #2341 chair are known to exist. The Jerome-Hart piece is singularly important both for its provenance and its pristine condition, retaining the original leather cushions, leather sling seat, and dark original finish.

For additional information, see the full history by James G. R. Hart.

–Thanks to the SMCF Collection Committee Chair Mark Weaver and Registrar Bernadette Rubbo for their contributions to this essay.

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New Museum Hours

Craftsman Farms - front doorWe’ve expanded our hours to better serve you!  Beginning this week, the Stickley Museum will be open Thursday – Sunday from noon to 4 p.m., YEAR ROUND.  And it’s all thanks to your recent and steady support!

In the coming months you may also look forward to new specialized tours, including an extended walking tour of the grounds set to launch this summer.  We hope you’ll join us!

It is the continued support and generous contributions of our funders and members that has made our expanded hours possible.  THANK YOU!

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The Collection: Hall Settle, c. 1902

Our virtual tour of Gustav Stickley’s Log House is back with some notable recent additions to the museum’s collection.

hall seat-1

Hall Settle, c. 1902
Dimensions: 89″w x ”h x 24”d
Material: Oak
Gift of David Rago and Suzanne Perrault
Collection of The Stickley Museum at Craftsman Farms
Photo: Barbara Weiskittel

 

 

At the south end of the dining room sits a monumental oak hall settle, c. 1902, with (functional) butterfly keys fluttering in graceful symmetry across the seatback.

After a devastating fire on Christmas Eve, 1901 that gutted the Stickley family’s Syracuse home and destroyed most of their belongings, Mr. Stickley completely renovated the interior.  Based on Stickley’s Craftsman design principles, the house’s new interior became the first complete Craftsman interior in the United States.

Columbus Ave Hall Settle, c. 1902 Collection of Crab Tree Farm

Columbus Ave Hall Settle, c. 1902
Collection of Crab Tree Farm

The high back hall settle is the larger of two that were built for Gustav Stickley’s home at 438 Columbus Avenue in Syracuse, N.Y.  The smaller of the two, now in the permanent collection of Crab Tree Farm, was built for the front hall and the larger, currently in our collection, was placed in the dining room inglenook at the back of the first floor.  The settles never appeared in Stickley’s catalogues, and were probably custom designed for the house.  It appears Stickley and his design staff were paying close attention to the scale of each space the settles were to inhabit.  Though visually related, each piece is unique, differing slightly in height, length, seat depth, and proportion.

From "A Visit to Mr. Stickley's House," The Craftsman, Dec. 1902. The image "Inglenook, Dining-room" shows the placement of the larger Hall Settle in Mr. Stickley's Syracuse home.

Excerpt from “A Visit to Mr. Stickley’s House,” The Craftsman, Dec. 1902. The image “Inglenook, Dining-room” shows the placement of the larger Hall Settle in Mr. Stickley’s Syracuse home.

Regarding proportions, the smaller settle has a slimmer, more vertical presence.  Whereas, the larger settle would mostly be seen from the side or at a deep angle, so its horizontally elongated construction is appropriately proportioned to the space.  In the Dec. 1902 article “Visit to the House of Mr. Stickley” from The Craftsman, images of the first floor plan (pg 162), and the dining room inglenook (pg 168) show the placement of the larger settle, viewed from some distance through the dining room and toward the fireplace at the far end.

The design of the hall settle is a variation of the high-back colonial revival benches that were typically found in Queen Anne inglenooks in the 1870’s – 1880’s.  Stickley’s design differs in the use of the raised butterfly splines, the Gothic arches between the feet and the use of oak, rather than pine or poplar.

The hall settle remained in the Columbus Avenue house until another fire in the 1970’s, when it was reportedly placed outdoors and someone drove away with it on the roof of a station wagon. It later came into the possession of New York dealer Michael Carey, who restored the finish around 1992 and placed the settle at auction in 1996, at which time it entered into a private collection. David Rago assumed ownership of the piece in 2005 and it remained in his possession until his gift to Craftsman Farms in 2010.

This summer, the hall settle will travel back to Syracuse, NY to be part of “An American Look: Fashion, Decorative Arts and Gustav Stickley,” a upcoming exhibition at the Everson Museum, which will include some familiar faces.

Tour more of the collection with our blog archives.

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Now on view!

Oak Saw Horses, c. 1910 Gustav Stickley, The Craftsman Workshop,

Oak Saw Horses, c. 1910

Now on view in the Log House! Produced by Stickley’s Craftsman Workshops and custom made for Craftsman Farms, these two oak saw horses, c. 1910, supported a collapsible table which the family used during social events and other large parties.

Currently they can be seen on tours of the Log House on the front porch.

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